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American Literature: Modernism 3111 Views


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Transcript

00:02

modernism - Ezra Pound

00:13

Robert Frost - Elizabeth Bishop all right Harvard problem well

00:23

[A talking blue phone box] time is a pretty weird concept the past is full of cave people kings and

00:29

queens and people hanging out in Coliseums in the future is going to be

00:33

all about robot spaceships and flying cars but present-day reality is always

00:37

different depending on what time you're living in modern means different things [Busy traffic jam]

00:41

to different people like in the 1980s modern was having a cell phone like any

00:46

cell phone and in 2010 modern means staying up to speed on the latest apps

00:52

that track your calories or how many steps there are between your room and [People gathering at an ice cream van]

00:56

the nearest ice-cream vendor around the end of the 19th and beginning of the

00:59

20th centuries an entire literary and artistic movement was dubbed modernism

01:05

some quintessential examples now Ulysses by James Joyce and TS Eliot's epic poem

01:11

The Waste Land both deal a lot with personal identity while this period is [kid dressed as an astronaut]

01:16

often said to have started around 1890 and ended roughly around 1945 and

01:21

remember another little world-changing event that ended around that time yeah

01:25

World War two the big one which also means that World War one took place

01:29

during the modernist period so two world wars happen during this time I think [Machine guns firing]

01:34

that might have affected the way authors were writing and artists were creating

01:38

hmm yeah the writers and artists of the modernist era were quite interested in

01:42

exploring the idea of self and coming to grips with what this might mean well in

01:47

doing this self-examination modernist writers made conscious efforts to break [Skull x-ray picture in front of girls face]

01:52

away from previous literary and social conventions and deliberately chose to

01:56

write in new and at the time unconventional ways modernist literature [business man using a typewriter]

02:01

is marked by fragmented sometimes tricky to follow narratives the stylistic

02:06

choice echoes the disjointed state of society in the wake of the big wars

02:11

additionally the writing moved away from traditions in societal norms like gender [little girl playing the piano]

02:15

roles and practices such as religion modernist writers really paid attention

02:19

to advancements in psychology philosophy and in politics they took these new

02:27

theories and advancements to heart as grand new truths and used this info

02:32

to shape what they were writing loss and self-consciousness were major themes

02:37

in modernist literature these writers used allusions multiple perspectives and

02:42

nonlinear time sequencing to create a type of literature that hadn't been seen [exploding head]

02:48

ever before modernist Lit differs from postmodern

02:51

lit the era of writing that followed it and has often talked about as a reaction

02:56

to modernism postmodern authors threw it back to the styles and convention used [woman throwing her drink in a mans face]

03:02

in the days of literature before modernism while modernist whole-heartedly

03:06

believed in the theoretical information coming from the sciences post modernist

03:11

said this stuff might or might not be true and we don't really care so who [geeky guy wearing glasses and a scarf]

03:17

were these modernist writers well the godfather of the movement was Ezra Pound

03:22

Pound is notorious for saying make it new which became like a battle cry among

03:27

modernist writers he was responsible for creating a poetry movement called

03:31

imagism which was all about using very detailed and specific images you know

03:36

kind of the bread and butter of modern poetry yeah Pound did that he was also [buttering bread]

03:40

really helpful in promoting the work of his peers Pound

03:44

aided in launching the careers of amazing writers Robert Frost who we'll [old writer wearing reading spectacles]

03:48

learn about in a few minutes William Carlos Williams this guy and

03:53

Ernest Hemingway so clearly he was pretty awesome poet in his own right or

03:57

at least people respected what he had to say about the art of writing Pound studied

04:01

and drew from ancient Asian literary traditions and came up with his own [Paper of asian writing]

04:05

translations of classical Chinese and Japanese pieces of writing he was into

04:10

the music like flow of ancient writings and sought to mimic that rhythm in his

04:15

[lots of people dancing] own work with a modernist twist of course some of pounds poems are crazy

04:20

long and since we don't have time to read those epic contributions to the

04:23

world of poetry we'll go with couple shorter ones while this first

04:26

[Poem written on a piece of paper] poem is called in a station of the Metro believe it or not this is the whole poem

04:31

in a station of the Metro the apparition of these faces in the crowd

04:35

petals on a wet black bough and that's it no really that's the whole poems not

04:40

kidding well the beauty of this baby comes in its simplicity [laughing baby in a basket]

04:43

remember how pound came up with something called imagism how strikingly

04:48

simple but awesome are the images in the poem we just read and only 14 little

04:53

words pound is able to paint a gorgeous picture in the readers head well look [Pound painting a picture inside a head]

04:58

closely at the words he chose apparition another word for ghost

05:02

so the apparition of faces is like an unclear picture no one face stands out

05:06

from the rest then we get to petals on a wet black bow well because he makes a

05:11

point to say that the bough or tree limp is black the reader can assume that the [pink and white petals on a tree]

05:16

petals are a light color white or maybe pale pink you know kind of like human

05:21

skin so the black bow becomes the background of the metro station and the

05:25

petals are light colored faces that all flow together until they commingle into

05:29

one central image the point of this poem imagism [stamp of imagism]

05:32

describing an otherwise commonplace scene in a beautifully poetic way

05:36

alright let's take a look at another of pounds main works the river merchants

05:40

wife a letter that's quite a bit longer than Metro so you need to pause the

05:46

video to read it go for it one day [mumbles]

05:54

[mumbling]

05:59

[mumbling]

06:04

all right in a nutshell this poem is about a wife of a merchant who misses [a woman sailing on a boat]

06:09

her husband and writes him a little note reminiscing over how they met and

06:12

what their relationship has been like so far perhaps the most striking symbol or

06:16

image that stands in for something else that runs throughout the poem is time [a clock with time going by quickly]

06:21

the narrator calls back memories that she shared with her husband when they were

06:25

two small people when she stopped scowling and says that she desired my

06:30

dust to be mingled with yours and when her husband dragged his feet when he had

06:36

to leave her to go to work time is represented through these memories since [woman dreaming of past memories]

06:40

the narrator is recalling specific things that happened to the couple when

06:44

they were younger she gives the reader a brief timeline of the couple's

06:47

relationship pound uses imagery in the use of memories to tell a story

06:51

this poem is actually Pounds attempt at recreating what he determined was a

06:55

[painting of a chinese woman] letter from a woman to her husband in eighth century China Pound didn't attend

07:00

to literally translate the writing but used his own poetic license to make it

07:04

his own so there's a lot more we could say about pound in his incredible poetry [a talking blue phone box]

07:07

let's turn now to one of the poets Pound helped really make a name in a poetry

07:11

game Robert Frost well Frost is best love for

07:15

his nature poetry and has since become an even bigger name in the world of [JFK, Jackie Kennedy and Robert Frost sitting at a ceremony]

07:19

poetry than pound was a farmer turned poet Frost wasn't interested in

07:24

inventing new and unusual ways to write poetry instead he drew from and wrote

07:29

about what he knew because of his personal experience as a farmer in New [A Robert Frost book on a shelf]

07:32

England and well people just gobbled it up Frost won a mind-boggling four

07:37

Pulitzer Prizes for four of them in his lifetime it was so good that many lines

07:42

from his poems have been quoted used as song lyrics and emblazoned on placards

07:46

that people actually hang in their kitchen

07:48

possibly Frost's most famous work though it's up for debate is the road not

07:54

taken' here we go and I two roads [mumbling]

07:59

[mumbling]

08:04

[more mumbling]

08:06

[mumbling so the road not

08:10

taken' is probably one of the best-known poems in the history of American poetry [people sitting on a bus reading a poem]

08:15

it might even be the top dog in the pile of poems everyone knows and loves

08:18

as I said Frost was really into nature and it shows up in one way or another in

08:23

pretty much every one of his poems well the road not taken' is no exception to

08:27

this rule from line one of the poem we're hit with nature imagery giving us the

08:31

setting of a poem two roads diverged in a yellow wood well not only do we know [a man walking in the woods]

08:37

that the speakers in the woods somewhere we know that the trees are yellow which

08:41

likely means it's autumn in a symbolic way this could mean that speaker is

08:45

about to make a big life decision in the autumn season of his life as they're you [someone thinking about making a decision]

08:50

know approaching old age well a few lines later we are told that one of the

08:53

roads bent in the undergrowth which shows us that the woods are pretty darn

08:58

thick or is it that the speaker's big life decision is a tough one and will be [pizza or a salad]

09:02

hard to navigate in the second stanza the speaker is weighing the options

09:06

between the two paths one is more worn used and the speaker thinks that well

09:12

the less used path would be a better try it could be insinuating the speaker's [hand choosing the salad over the pizza]

09:16

contemplating making the decision that most people don't or wouldn't make given

09:20

the same set of circumstances in this way frost is setting the speaker apart

09:24

from the norm and without directly saying so is making the speaker [an empty plate of food]

09:28

something of a unique character in the final stanza the speaker repeats the

09:32

initial lines from the poem and left the reader in on their decision two roads

09:36

diverged in a wood and I took the one less traveled by and that has made all

09:41

the difference while as readers we aren't given the information about [highlighted section of the poem]

09:44

whether or not the road traveled was the most fun or the easiest choice frost

09:48

writes that has made all the difference well choosing the one less traveled by

09:53

was significant in changing the speaker's life whether for better or [a man walking in the woods]

09:56

worse we don't know but it's certain that this monumental decision held sway

10:00

over the remainder of the speaker's days it would be easy to chill with frost so

10:05

we did there for the rest of the day but instead

10:07

we're going to turn now to the Lady of modernism Elizabeth Bishop

10:12

As a youngster Bishop lost her dad and mom to death and mental illness respectively

10:16

she had to live with whatever relative would take her in [woman answering the door to another woman]

10:18

which caused her to have to you know move around a lot as an adult

10:22

Bishop continued traveling and was lucky enough to be able to see a good chunk of [train travelling past a platform]

10:25

the globe in her lifetime born in Massachusetts she spent several years

10:29

living in Brazil with her lover Lota de Macedo Soares after Soares killed [A headstone]

10:35

herself Bishop moved back to the US and started

10:38

working at of course Harvard she won a Pulitzer Prize and a National Book Award

10:43

[a newspaper with a womans picture] for her collection of poetry which are often said to be place poems or poetry

10:47

that intensely focuses and describes a particular setting well Bishop's poetry

10:52

also contains themes derived from her real-life love loss her identity as a

10:56

woman a lesbian and an orphan I'll take a couple of minutes now and read filling [filling station poem written on paper]

11:02

station [mumbling]

11:08

[mumbling]

11:12

[still mumbling]

11:18

okay first of all don't hate the speaker yeah

11:22

[woman standing in a factory yard] they sound kind of snooty at the beginning but give them a chance how the

11:26

speaker gives us the imagery of this place is what really sets this poem

11:29

apart from the others there are super observant to observer and as a reader

11:34

we're left with a really clear picture about really oily gas-station the [a woman reading in an oily gas station]

11:38

speaker repeats and repeats and repeats how oil soaked and dirty everything is

11:43

from the station itself to the dad and his son to the grease impregnated

11:47

wickerwork on the couch even the family dog gets the speaker's dirty observation [dog napping on a chair]

11:52

oh right about when we're sick and tired of hearing the speaker go on and on about

11:56

all the nasty mess they see suddenly there's a breakthrough a human element

12:00

reaches through all of that dirt and grime to allow the speaker to understand [a sewing machine]

12:04

somebody embroidered the doily somebody waters the plant you know what had

12:10

started out as a snide condemnation of the way people kept up the appearance of

12:14

their business has shifted gears the speaker is able to connect an actual [dad and son getting oil at the station]

12:18

person with all of the simple things they've been describing which seems to

12:22

change the entire tone of the poem the concluding line somebody loves us all

12:27

seems to indicate that while the speaker might be appalled by the dirt and oil

12:31

covered everything they're observing it's

12:33

filling station this is still someone's place of business it's their home and

12:37

[a talking blue phone box] being rude with judgment doesn't really serve anyone well modernism might have

12:42

been a fleeting period in literary history but it made a huge impact on

12:45

contemporary writers many of the greatest writers came from this era and

12:49

poured out their fragmented nature love and image filled little hearts all over the page without modernism we couldn't have post-modernism the incredibly [bin being emptied]

12:57

awesome literary movement we're all living in right now

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