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AP English Literature and Composition 1.2 Passage Drill 4. As which of the following is the object being personified?
AP English Literature and Composition 1.8 Passage Drill 4. What shift is indicated in line 15?
AP English Literature and Composition 1.9 Passage Drill 4. Lines 32-34 are best understood to mean what?
AP English Literature and Composition 1.8 Passage Drill 4 221 Views
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AP English Literature and Composition 1.8 Passage Drill 4. What shift is indicated in line 15?
Transcript
- 00:03
Here's your shmoop du jour, brought to you by Mortality. Because living forever sounds
- 00:08
like such a drag.
- 00:18
What shift is indicated in line 15?
- 00:22
And here are the potential answers...
- 00:28
In poetry, a shift is something like a key change in music.
Full Transcript
- 00:33
The poem goes from doing one thing... to doing another.
- 00:35
UNLIKE in music, it's rarely because the writer is having trouble... hitting the high notes...
- 00:41
So let's take a look at line 15 and see what we can see.
- 00:44
Although... we want to see what SHIFT takes place, so we should also look at the few lines
- 00:48
that precede it:
- 00:49
Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play
- 00:55
on; Not to the sensual ear, but, more endear'd,
- 00:59
Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave
- 01:05
Line 15 is the last one... the one that starts with "fair youth."
- 01:09
So... what changes? Is he suddenly addressing the urn?
- 01:13
Nah... he's been talking to the urn the entire time. Apparently, his silverware already had
- 01:17
plans. Is he now addressing his own former youth?
- 01:21
Nope. He's not talking to himself... although, that would probably be an improvement, from
- 01:25
a social standpoint...
- 01:26
...instead, he's talking to this "fair youth beneath the trees"... whom he has spotted
- 01:31
on the side of the urn. Let's keep going...
- 01:34
Well, because we just established that he isn't addressing himself, we can rule out
- 01:38
option C, too...
- 01:39
...and D can't be it, because he's no longer talking to the urn in general -- he's talking
- 01:43
to a SPECIFIC image on the urn...
- 01:46
...which is option E.
- 01:48
Remind us not to attend any of this guy's dinner parties...
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