Then she continued her singing with inexpressible fervor and feeling. It appeared to her that the sounds spread to a distance beneath the vaulted roofs, and carried with them a magic charm to soften the hearts of her jailers. It however likewise appeared that the soldier on duty--a zealous Catholic, no doubt--shook off the charm, for through the door he called: "Hold your tongue, madame! Your song is as dismal as a ’De profundis’; and if besides the pleasure of being in garrison here, we must hear such things as these, no mortal can hold out."

"Silence!" then exclaimed another stern voice which Milady recognized as that of Felton. "What are you meddling with, stupid? Did anybody order you to prevent that woman from singing? No. You were told to guard her--to fire at her if she attempted to fly. Guard her! If she flies, kill her; but don’t exceed your orders."

An expression of unspeakable joy lightened the countenance of Milady; but this expression was fleeting as the reflection of lightning. Without appearing to have heard the dialogue, of which she had not lost a word, she began again, giving to her voice all the charm, all the power, all the seduction the demon had bestowed upon it:

"For all my tears, my cares, My exile, and my chains, I have my youth, my prayers, And God, who counts my pains."

Her voice, of immense power and sublime expression, gave to the rude, unpolished poetry of these psalms a magic and an effect which the most exalted Puritans rarely found in the songs of their brethren, and which they were forced to ornament with all the resources of their imagination. Felton believed he heard the singing of the angel who consoled the three Hebrews in the furnace.

Milady continued:

"One day our doors will ope, With God come our desire; And if betrays that hope, To death we can aspire."

This verse, into which the terrible enchantress threw her whole soul, completed the trouble which had seized the heart of the young officer. He opened the door quickly; and Milady saw him appear, pale as usual, but with his eye inflamed and almost wild.

"Why do you sing thus, and with such a voice?" said he.

"Your pardon, sir," said Milady, with mildness. "I forgot that my songs are out of place in this castle. I have perhaps offended you in your creed; but it was without wishing to do so, I swear. Pardon me, then, a fault which is perhaps great, but which certainly was involuntary."

Milady was so beautiful at this moment, the religious ecstasy in which she appeared to be plunged gave such an expression to her countenance, that Felton was so dazzled that he fancied he beheld the angel whom he had only just before heard.

"Yes, yes," said he; "you disturb, you agitate the people who live in the castle."

The poor, senseless young man was not aware of the incoherence of his words, while Milady was reading with her lynx’s eyes the very depths of his heart.

"I will be silent, then," said Milady, casting down her eyes with all the sweetness she could give to her voice, with all the resignation she could impress upon her manner.

"No, no, madame," said Felton, "only do not sing so loud, particularly at night."