How we cite our quotes: Citations follow this format: (Part.Chapter.Paragraph)
Quote #28
With her pretty nose in the air she cut out of there and we wandered together in the dark up along the ditches of the highways. I carried the bags. We were breathing fogs in the cold night air. I finally decided to hide from the world one more night with her, and the morning be damned. We went into a motel court and bought a comfortable little suite for about four dollars - shower, bathtowels, wall radio, and all. We held each other tight. We had long, serious talks and took baths and discussed things with the light on and then with the light out. Something was being proved, I was convincing her of something, which she accepted, and we concluded the pact in the dark, breathless, then pleased, like little lambs. (I.13.10)
Sal sees women as an escape, a way to "hide from the world."
Quote #29
I huddled in the cold, rainy wind and watched everything across the sad vineyards of October in the valley. My mind was filled with that great song "Lover Man" as Billie Holiday sings it; I had my own concert in the bushes. "Someday we’ll meet, and you’ll dry all my tears, and whisper sweet, little things in my ear, hugging and a-kissing, oh what we’ve been missing, Lover Man, oh where can you be . . ." It’s not the words so much as their great harmonic tune and the way Billie sings it, like a woman stroking her man’s hair in soft lamplight. The winds howled. I got cold. (I.13.45)
Sal relates music to sex, just as he relates music to madness.
Quote #30
Nightfall came. Terry went home for supper and came to the barn at nine o’clock with delicious tortillas and mashed beans. I lit a woodfire on the cement floor of the barn to make light. We made love on the crates. Terry got up and cut right back to the shack. Her father was yelling at her; I could hear him from the barn. (I.13.49)
Sal’s role with Terry is that of husband for a short amount of time. In this way, he treats his "wife" as recklessly as Dean treats his actual wives.