How we cite our quotes: (Book.Chapter.Paragraph)
Quote #4
Mr. Merdle was immensely rich; a man of prodigious enterprise; a Midas without the ears, who turned all he touched to gold. He was in everything good, from banking to building. He was in Parliament, of course. He was in the City, necessarily. He was Chairman of this, Trustee of that, President of the other. [...] This great and fortunate man had provided that extensive bosom [Mrs. Merdle's chest] which required so much room to be unfeeling enough in, with a nest of crimson and gold some fifteen years before. It was not a bosom to repose upon, but it was a capital bosom to hang jewels upon. Mr. Merdle wanted something to hang jewels upon, and he bought it for the purpose. Storr and Mortimer might have married on the same speculation.
Like all his other speculations, it was sound and successful. The jewels showed to the richest advantage. The bosom moving in Society with the jewels displayed upon it, attracted general admiration. Society approving, Mr. Merdle was satisfied. He was the most disinterested of men,--did everything for Society, and got as little for himself out of all his gain and care, as a man might. (1.21.3-6)
There is a common device in the novel of dehumanizing characters by reducing them to a particular body part. Here, for instance, Mrs. Merdle is just an awesome set of boobs. Do we feel pity for Mrs. Merdle for having been bought like a decorative object? Why or why not?
Quote #5
The venerable inhabitants of that venerable pile seemed, in those times, to be encamped there like a sort of civilised gypsies. There was a temporary air about their establishments, as if they were going away the moment they could get anything better; there was also a dissatisfied air about themselves, as if they took it very ill that they had not already got something much better. Genteel blinds and makeshifts were more or less observable as soon as their doors were opened; screens not half high enough, which made dining-rooms out of arched passages, and warded off obscure corners where footboys slept at nights with their heads among the knives and forks; curtains which called upon you to believe that they didn't hide anything; panes of glass which requested you not to see them; many objects of various forms, feigning to have no connection with their guilty secret, a bed; disguised traps in walls, which were clearly coal-cellars; affectations of no thoroughfares, which were evidently doors to little kitchens. Mental reservations and artful mysteries grew out of these things. Callers looking steadily into the eyes of their receivers, pretended not to smell cooking three feet off; people, confronting closets accidentally left open, pretended not to see bottles; visitors with their heads against a partition of thin canvas, and a page and a young female at high words on the other side, made believe to be sitting in a primeval silence. There was no end to the small social accommodation-bills of this nature which the gypsies of gentility were constantly drawing upon, and accepting for, one another. (1.26.60)
OK, this is just straight-up hilarious! These people are living this way just to have a slightly fancier-sounding address.
Quote #6
[…] 'you ought to make yourself fit for it by being more degage, and less preoccupied. There is a positive vulgarity in carrying your business affairs about with you as you do. [...] 'I don't expect you,' said Mrs. Merdle, reposing easily among her cushions, 'to captivate people. I don't want you to take any trouble upon yourself, or to try to be fascinating. I simply request you to care about nothing--or seem to care about nothing--as everybody else does. [...] You show that you carry your business cares and projects about, instead of leaving them in the City, or wherever else they belong to,' said Mrs. Merdle. 'Or seeming to. Seeming would be quite enough: I ask no more. Whereas you couldn't be more occupied with your day's calculations and combinations than you habitually show yourself to be, if you were a carpenter.' (1.33.63-74)
It's interesting to see that Merdle bought himself Mrs. Merdle not simply for her rack, but also because she understands the tiny behaviors that separate the vulgar wealthy from the aristocratic. Here, for instance, Merdle doesn't realize that he needs to seem cool and detached about his work, and that thinking about work is apparently for skilled craftsmen like Doyce.