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Women's Literature 15 Aphra Behn 114 Views


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00:00

Thank you We sneak After ben what's orinoco about i'll

00:10

ashman orinoco this king who isn't slaves Yeah and him

00:15

leading this revolt to be reunited with my beloved it's

00:18

Unique because she's quite sympathetic towards these characters that otherwise

00:24

english citizens would think of as savage Yeah hate using

00:29

that word But that is the wear it Hey what

00:32

about of them A savages But instead orinoco is regal

00:35

and principled and brave Yeah smart it's In fact the

00:41

people are enslaving him who are in the wrong total

00:44

upending of values there In fact the ending is what's

00:47

really savage right He's dismembered Smoking a pipe is like

00:51

a very disturbing scene at the end This idea that

00:54

like actually this grand royalty can be found in different

00:59

races in different places in order to get this point

01:02

across One thing that's really interesting is that after bain

01:05

frames this as a true story It's based on some

01:08

of her true experiences but it's not strictly true And

01:11

yet she says that it that's really interesting as well

01:15

because it not only positions This is a true story

01:19

But i think it's positions after bain has very much

01:21

in conversation with male Writers of our time the frame

01:25

narrative was such a common device in this period insisting

01:29

to people that fictional narratives were true that's when you

01:32

did you're a writer and she's also applying the travel

01:36

writing was so hip at the time and you're doing

01:39

travel right and again it was mostly men right Of

01:43

course because men were the ones that had the right

01:44

to kind of traits around europe and asia Africa i'm

01:49

collecting stories and bring back all the like exotic things

01:53

they found so it's meaningful that she's a starting herself

01:56

as a woman of the world Who's had experience who's

01:58

been to suriname I think they never really you're critical

02:00

consensus about whether she was even there Like her biography

02:03

is super fuzzy because she's fictionalized it But she uses

02:07

what she claimed for her real experience Yeah and we

02:10

know for a fact that she was sent to antwerp

02:13

is a spy by king I mean she definitely wass

02:16

she had a super exciting life and choose very brilliant

02:18

with like some strange unusual goings on difficult situation She

02:23

doesn't usually write novels or novellas right She's known as

02:26

a playwright you know This is in the sixteen hundreds

02:29

right We think of like shakespeare the very end of

02:33

the sixteenth century the beauty of the seventeenth century So

02:35

she is coming into her own with restoration drama which

02:38

is what's Succeeding the kind of shakespearean era and is

02:41

very popular on the stage is making her own living

02:44

getting herself out of debt writing plays for the stage

02:47

that actually being pretty successful What's orinoco about what's a

02:53

frame narrative Why does ben say our new Who is

02:56

a true story It's A true story on ly the 00:03:03.24 --> [endTime] names events and locations were changed

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